Composing music is not a simple task. It is more difficult to compose music that is simple enough for congregations to learn, to be able to sing together, and not to get tired of singing it over a lifetime although the greatest composers have done it. But though simplicity is a hallmark of hymns and different tunes, it does not imply that either simple mindedness or a lack of richness in telling detail. Simplicity entails, first of all, a clarity of phrase structure in which the beginnings and endings are the finishing of phrases are clearly articulated by the rise and fall of the melodic line. Both the proximate and the remote relationships of all the pitches must be perceptible.
In addition, the forward motion of the melodic tunes should not be impeded by the "padding" of changing directions. It goes without saying that dissonant skips should never be used, but that even wide skips and pitch harmonics like sixths and octaves should be used with care. Simplicity also demands an unvarying beats and sound variations, usually based on a tempo of approximately one unit of measure per second. Although establishing a metrical pattern may be helpful, it is not essential. If the rhythm has established a duple subdivision of the beat or pulse, a triple or other subdivision should never be introduced
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